Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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LE SUEUR, Eustache
St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05)

ID: 20622

LE SUEUR, Eustache St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome  (mk05)
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LE SUEUR, Eustache St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome  (mk05)


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LE SUEUR, Eustache

French painter (b. 1616/17, Paris, d. 1655, Paris). French painter and draughtsman. He was one of the most important painters of historical, mythological and religious pictures in 17th-century France and one of the founders of French classicism. He was long considered the 'French Raphael' and the equal of Nicolas Poussin and Charles Le Brun. His reputation reached its zenith in the first half of the 19th century, but since then it has been in decline, largely as a result of the simplified and saccharine image of the man and his art created by Romantic writers and painters. Nevertheless, more recent recognition of the complexity of his art has resulted in a new interest in him and in his place in the evolution of French painting in the 17th century. Despite the almost total absence of signed and dated works, the chronology of Le Sueur's oeuvre can be established with the aid of a few surviving contracts,   Related Paintings of LE SUEUR, Eustache :. | A Gathering of Friends af | St Bruno Examining a Drawing of the Baths of Diocletian Location of the Future Charterhouse of Rome (mk05) | The Muses: Clio, Euterpe and Thalia | The Muses: Melpomene, Erato and Polymnia sf | The Muses: Clio, Euterpe and Thalia dh |
Related Artists:
Giovanni Cariani
Venice 1480/85-1547
Kitty Kielland
Norwegian Painter, 1843-1914 was a Norwegian landscape painter. Kielland was born to an affluent family in Stavanger, the older sister of Alexander Kielland. Kielland's mutual interactions with her brother would be important to shaping her as an artist. Although she received some training in drawing and painting, it was not until she turned thirty that she was allowed to train as a professional artist. In 1873 she traveled to Karlsruhe where she was trained by Hans Gude. As a woman Kielland was forced to take private lessons from Gude instead of joining his landscape painting class. Gude's adherence to realism left a lasting impression on Kielland that was visible in her later works.[
Jean-Baptiste Peronneau
French, 1715-1783






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